Below is the list, presented from lowest to highest average score: 100. There’s something for everyone on the list: classics like Frankenstein (1931) and The Wizard of Oz (1939) animated favorites like Pinocchio (1940) and 101 Dalmatians (1961) Oscar Best Picture winners like On the Waterfront (1954) and Moonlight (2016) and, among other genres, documentaries like Twenty Feet From Stardom (2013) and Blackfish (2013). To help you out, we’ve analyzed Rotten Tomatoes reviews to come up with a list of the 100 top-scoring movies that ring in under two hours, using a dataset of IMDB’s 10,000 top-grossing films. Still, even if today’s movies aren’t the longest they’ve ever been, there’s still the problem of the squirming fanny. This year’s Best Picture winner Moonlight is practically a Vine when compared with past winners Ben-Hur (1959, 212 minutes) and Lawrence of Arabia (1962, 222 minutes) and nominee Cleopatra (1963, 248 minutes). Gone With the Wind - but they’re not necessarily much longer than popular films of the ’50s and ’60s. Yes, movies today are on average much longer than they were in the 1930s - excluding the 222-min. (114 min.) than the waves in Jaws (124 min.).
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In reality, a chart of average movie length over time looks less like the trajectory of the flying bikes in E.T. Newsweek critic David Ansen wondered if studios weren’t reluctant to give notes to some of the biggest and most visionary directors in Hollywood. Speaking to the Daily Beast three decades later, Rolling Stone film critic Peter Travers blamed the bloat on studios’ misguided belief that the longer the movie, the greater the sheen of prestige, the greater the potential for prestigious awards. In Corliss’ estimation, movies had become “longer but not richer,” a trend he argued began toward the end of World War II when movies shifted, broadly speaking, from creations of the studio system to the artistic visions of directors. The question Corliss explored that year is a perennial one, and it’s typically posed as a gripe. In 1984, TIME film critic Richard Corliss wrote a piece titled “Why Do Movies Seem So Long?” In it, he recalled a piece of wisdom from Columbia Pictures co-founder Harry Cohn, whose method for judging the quality of a film came down to this: “If my fanny squirms, it’s bad.